BIOGRAPHY
Claire
V. Riley has written three screenplays, two comedies and a drama,
and is working on her fourth, another comedy. Her script THE BRAVEST
took first place in the 2004 Red Inkworks Screenwriting contests
and her script THE PERFECT FAMILY took third place in the 2004 ONE-IN-TEN
screenwriting contest. Her third script MRS. FELDSCHREIBER, SECRET
AGENT, is being read by Hollywood celebrities and production companies,
and won the "Best Female Character Not Used As A Murder Prop
Or Decoration On The Leading Man's Arm" award in the 2006 A
Feeding Frenzy screenwriting contest.
In a previous life, Claire was as an academic. She received her
Ph.D. in Cultural Anthropology from the CUNY Graduate Center in
1992. She has taught at Brooklyn College, City College and NYU.
While writing her dissertation, she unearthed a fantastic discovery:
telling comedy stories is much more fun than analyzing social theory.
After her revelation, she turned her pen to screenwriting.
When Claire Riley began writing her first screenplay, she thought
she was writing a comedy. She ended up with a comedy/drama, THE
PERFECT FAMILY. She wasn't quite sure how that happened, but when
she started her second comedy, she knew she didn't want it to happen
again. At a Hollywood producer's suggestion, she began studying
the comedy genre and learned that comedy has significant exceptions
to basic screenwriting rules, as well as its own rules and structures.
She applied the new information to MRS. FELDSCHREIBER, SECRET AGENT,
which received rave reviews from some industry insiders. However,
she found that many screenwriters, industry readers and even reputable
script consultants gave her feedback that showed how little they
knew about writing comedies. If she had taken their advice, her
script would have turned into another comedy/drama.
She started Life of Riley Screenwriting to provide a place for comedy
screenwriters to blossom, by teaching them how to write comedy screenplays
as well as give and receive constructive feedback.
The Hollywood slogan "Funny Is Money" proves itself true
time and time again, as good comedies do well at the box office.
If you want to write a good comedy, one that will turn your funny
into money, you need to know the secrets of the comedy genre. And
that is just what you'll learn in a fun, supportive, creative environment.
We'll learn the tricks of the trade and read our work out loud each
week while laughing our socks off.
And remember to bring extra socks in case yours run away.
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